ATV Part 4 Project 1 Exercise 4.2

Experimental yarns and concepts

1. Colour placement and composition

Looking back at Exercise 3.1 and the colour work I developed I chose this palette and fabric design as inspiration to produce this yarn. I plaited red, orange, pale blue and white embroidery threads. At intervals I split the threads and formed circle shapes and then stitched in layered pieces of fabric to produce a light lacy type effect following on from the pattern elements within the textile. I think I successfully interpreted the colour proportions.

The second colour work I chose to work from had a more varied colour palette. There is a lot of neutral colours with accents of bold blues and greens. This time I chose a heavy, thick wool which I plaited together with another finer neutral wool and a couple of strands of embroidery thread for the accent colours. I added pieces of green ribbon to represent the large green mountain in the centre of the textile. The colour placement within the original really draws the eye and I have tried to replicate that by adding the ribbon to only one section of the yarn.

My second piece was a woven piece with fine threads. I tried to incorporate shapes from the original textile. This time I focused on the very dark blue of the mountains and placed that at the centre of my yarn. I think the first yarn represents the colour proportions fairly well but the second piece was not as successful as I had hoped. Getting more pronounced pointed shapes would have perhaps required a thicker piece of weaving, more time and perhaps better weaving skills.

My final piece for the colour placement and composition lucet woven threads in greens to represent the delicate branches in the design. I painted craft paper leaves and stitched them to yarn placing them in a way that directly relates to the original fabric.

2. Materials exploration

The bright colours in this colour study put me in mind of the bright plastic straws that children use. I cut these up in a variety of lengths to represent the sections of colour in the original. I wanted to create a wavy yarn with very varied shapes so I thought more plastic would work and I cut a strip from a bottle. I split the strip in two and threaded the pieces of straw onto it then I twisted the two threads to produce a contorted and wavy yarn.

I used the straws a second time for this piece. I have laced thread through each straw and the straws are cut at different size to give a wavy outline. If the yarn is held at either end and twisted it looks like this, (photo below) making it visually more interesting. For inclusion in the yarn collection it is laid flat.

The next piece was based on one of the neutral samples. I twisted two pieces of white lacy fabric which was cut from non-slip mat together to create a curvy pattern taking inspiration from the paisley pattern shapes in the fabric. I used a silver thread and stitched it in a random loopy style to represent the shiny highlights of the design on the fabric.

I used the same material for my second piece and cut it into circles. I added this to some white packaging material and cut around it in a bubbly shape. I then sandwiched this in between a layer of clear wrapping material and ironed it to melt it together. I then added 3 strips of ribbon to the back so you get glimpses of it through the clear fabric.

The second piece in this photo was a strip of bubble wrap and I inserted little diamanté crystals into some of the bubbles.

I took cardboard packaging and wound pieces of leather around sections. Taking inspiration from the pattern and shapes within this piece of fabric.

My second piece is a section of plaited twine wrapped with bamboo leaves. I took my inspiration from the lines in the fabric which randomly goes narrow and then thick.

3. Textures and tonal qualities

I went back to the paisley patterned neutral for these three yarns. The first is a piece of machine embroidery. I created a shaped yarn with threads. The second is a shiny tasseled piece of decorative rope which I wrapped with a craft ribbon. I think it’s probably the most successful at interpreting the texture and tones of the original piece. My third yarn is a strip of anti slip matting which I’ve wrapped with a variegated fancy yarn.

This yarn was a piece of wool that was a really good match for the original fabric and tones. To create some texture I used a variety of tying, wrapping and pleating.

ATV Part 4 Project 1 Exploring lines. Exercise 4.1

Exercise 4.1 Yarns inspired by stitch and marks

Looking back at the stitch work produced in Part 2 and the drawings from Part 1 that inspired them I chose this stitched piece.

Using a variety of yarns I plaited, wove, wrapped and intertwined to produce 30cm explorations with a 1cm and 5cm repeat and a random design.

I further developed my ideas to produce this as one of my 100cm designs. I used leather to represent the brown rough texture of the coat and black shiny cord with black and gold beads to represent the colours and lines in the original drawings and I decorated the large brown buttons and wove them into the design to represent the original drawings.

Using this rose inspired iPad produced drawing I made further examples.

And this drawing inspired this 30cm random design which I produced by cutting a thin strip of white non-slip mat which I stitched with black thread. I then wound it around some thick black cord.

This 100cm yarn was created by overstitching around the edge of white hexagons which I cut from felt and joined by bar tacking. This piece is joined to another section which is a piece of black binding tape that has been twisted and sewn and then I’ve cut leaves from black anti-slip mat and sewn them on. I’ve taken inspiration from the hexagonal and floral shapes in the drawing.

 ATV Part 3 Exercise 3.1 Gouache studies

The aim of this exercise is to help me collate, observe and record colour palettes from a series of textiles.

Part 1

I chose three printed samples with colour and two neutral textiles with texture or patterned surface. Using these we were required to use gouache paint and produce colour matching tests. I had not used gouache paint before and did not have a wide selection of colours therefore quite a bit of mixing and experimenting was required. Occasionally when I felt I had a good match only for it to dry and not be quite right. It left me wishing I had purchased a much bigger tube of white (a little hint for future students!)

Part 2

The second part of this exercise required choosing one printed sample and cutting a piece approximately 10cm x 10cm and extending it’s design. Then colour match the design using the gouache paint. I quite enjoyed this part and it was fairly successful but it is very difficult to reproduce the digitally printed colours accurately.

Part 3

This time choosing a neutral sample colour matching and extending the design. The sample I chose had a creamy white fabric with semi-transparent circles. The circles picked up the white of the background paper and when I initially started painting I was going to use the creamy colour then go back in with the white to pick up the circle design. I quickly realised this wasn’t going to work as the white gouache paint was not the same white as the paper, so I then painstakingly painted between every circle to make the sample work.

ATV Part 3 Project 1 Research point 1

Part 3 of A Textile Vocabulary is primarily focused on colour mainly through observation, analysis and examination of physical media. Initially we are asked to research the work of some textile artists and designers.

Voyage Decoration

The company Voyage Decoration creates soft furnishings and wallpapers etc. They have a number of collections which portray different designs and colour palettes. The company has a signature watercolour look running throughout their work. They have a number of collections each one taking a small palette of colours and mixing it with a specific style of prints. The colour ties to the look of prints for example muted colours with traditional prints and vibrant colours with modern abstract designs or using more traditional prints and modernising the colour scheme by using a variety of shades.

Natural History Collection

This depicts botanical types sketchbook drawn pictures on a background of muted, natural colours.

Boutique Collection

This collection has a much more art and crafts feel, using much more vibrant colours with bold patterns depicting flora and fauna from the British countryside and Scandinavian folk art. The way the colour is used gives the designs a much more modern feel, modern checks and neutral wovens are also featured in this collection complementing the bolder pieces.

Couture Collection 

Taking inspiration from the catwalk this collection continues to draw on influences from the natural world. These are conveyed in modern fluid pieces blending shades of colour with metallic and embroidered sequin embellishments. I particularly liked the Alchemy Lustre Collection. It uses shades of sapphire, amethyst and moonlight and I loved the mix of colour and prints, especially the Galatea print which is a dreamscape of irregular horizontal stripes digitally printed on velvet capturing the original painting.   Accessed on 12 February 2018

Mary Katrantzou 

Is a fashion designer who studied architecture before graduating in textile design and fashion. Her graduation show in 2008 which featured trompe l’oeil prints of oversized jewellery on jersey-bonded dresses took the industry by storm and immediately secured a place for her in this field becoming known as “The Queen of Print”. She has had an enormous influence in this medium using digital printing to experiment with print in a way that fine arts and other methods can’t.

The complicated prints often take days to create, she uses a very varied and daring mix of colour and pattern. Vibrant, multi-coloured, bold prints. Geometric prints, bold florals and nature-inspired shapes mixed with stripes, polka dots or checks.

Her Spring Summer 2018 Collection is inspired by childhood, an idealised view on it but a child’s imagination is the only limit. Her collection is a creation of bold, vibrant colour like a child’s colouring pen collection mixed with shapes, fabrics motifs and designs summoned from remembrance of childhood, she uses digital printing techniques enabling her to engineer a three dimensional quality. The colour and design being interdependent to the desired outcome.

Key piece Look 37 from her Spring Summer 2018 Collection 

This piece was obviously inspired by painting by numbers. It is a voluminous dress with bold, oversized florals which are coloured brightly with some sections of the design left uncoloured. It is a fun design, not something I would choose to wear, it is a little bold for me! Accessed on 12 February 2018
Ptolemy Mann

Ptolemy Mann is a contemporary textile artist and designer known for her unique and colourful hand woven artworks and textile designs.

She emphasises her work is underpinned by colour theory. Her collection of flat weave rugs explore geometry and colour inspired by the Bauhaus movement. Her signature hand dyed and woven techniques have more recently inspired commercially produced furnishings and her unique approach has brought her craft into the 21st century. She uses her trademark ikat techniques to blur the edges of the vibrant colours in her Copper and Silk light shades, but her ability to branch into more commercial industry is underpinned by her profound understanding of colour interaction. Accessed on 14 February 2018 Accessed on 14 February 2018

ATV Part 2 Project 1 Creating surfaces Exercise 2.1

Project 1 Creating surfaces

This part of the course builds on the folio of work I have created in Part 1. I will be carrying out exploratory work to enhance my skills and methods of sampling I will need to direct me in the creation of textile samples. I will use my original drawings to inform some of my initial ideas but I need to be aware to move away from the source material as I start my journey of interpreting them into my own work.

Exercise 2.1 Selecting

From my inital folio of work I have chosen six drawings to work from

I have chosen this drawing of a button because I think the mark making effectively shows the detail. 

I like the bright colours and the use of line in this drawing. I feel it conveys the curving organic shape of the rose.

I have chosen this drawing as it is colourful and it has interesting patterns and detail.

I have chosen this ink drawing as I think the intricate detail is a very interesting visual quality and it could provide lots of inspiration.

I like the colours and composition of this drawing